new music 001
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rhcd18 arek gulbenkoglu/adam sussmann cd-r
“76 minutes of next to nothing, very beautiful. I get the feeling they found Taku’s “Live in Australia” too in your face, took the idea and toned it down a few notches. Glimmers of the pair’s presence arise like reflections of water on a wall, if that much, though I believe it increases a tad toward the end. Otherwise, it’s ambient sound including faint traffic and what I think is a distant foghorn. Really enjoyable, imho. Of course, it raises questions like, “What if all recordings went this way?” Mmm...dunno, what if? I admit to being stuck in, ultimately, wanting some variation, but at the very least, coming across something like this (or Taku’s release) is extremely refreshing.” – brian olewnick, just outside
rhcd19 eugene carchesio ‘trances’ cd-r
“Tranced electronic meditations not dissimilar to Raymond Scott’s “Soothing Sounds for Babies” from Carchesio, perhaps best known for his collaborations with Leighton Craig. Minimal repetitions that have a real early electronics feel.” – gayle brogan, melody bar
rhcd31 ‘breakdancing the dawn’ cd-r
“Excellent new compilation that covers alla the main action coming out of the great Australian underground imprint Breakdance The Dawn, most associated with XNoBBQX.” – david keenan, volcanic tongue
“I’m not sure I’ve heard a more necessary anthology this year than this greatest hits barrel scraping from one of Australia’s most vital underground labels. Taken en masse this stuff is brilliant, inept, confusing and funny as hell.” – daniel spencer, foxy digitalis
rhcd36 tirath singh nirmala ‘growing into the wind’ cd-r
“An excellent collection of electro-acoustic drones, eye-lolling bell tones and automatic musics in the vein of Neil Campbell/Richard Youngs/Matthew Bower/Vibracathedral Orchestra et al.” – david keenan, volcanic tongue
“Streams of electronic / casio light converge like thousands of beams of sunlight alongside massed hand percussion shake and clatter and frenetically fluttering flutes. A midway spot between Moondog and the jungle ecstasies of some of the recent Skaters’ extracurricular projects.” – gayle brogan, melody bar
rhcd18 arek gulbenkoglu/adam sussmann cd-r
“76 minutes of next to nothing, very beautiful. I get the feeling they found Taku’s “Live in Australia” too in your face, took the idea and toned it down a few notches. Glimmers of the pair’s presence arise like reflections of water on a wall, if that much, though I believe it increases a tad toward the end. Otherwise, it’s ambient sound including faint traffic and what I think is a distant foghorn. Really enjoyable, imho. Of course, it raises questions like, “What if all recordings went this way?” Mmm...dunno, what if? I admit to being stuck in, ultimately, wanting some variation, but at the very least, coming across something like this (or Taku’s release) is extremely refreshing.” – brian olewnick, just outside
rhcd19 eugene carchesio ‘trances’ cd-r
“Tranced electronic meditations not dissimilar to Raymond Scott’s “Soothing Sounds for Babies” from Carchesio, perhaps best known for his collaborations with Leighton Craig. Minimal repetitions that have a real early electronics feel.” – gayle brogan, melody bar
rhcd31 ‘breakdancing the dawn’ cd-r
“Excellent new compilation that covers alla the main action coming out of the great Australian underground imprint Breakdance The Dawn, most associated with XNoBBQX.” – david keenan, volcanic tongue
“I’m not sure I’ve heard a more necessary anthology this year than this greatest hits barrel scraping from one of Australia’s most vital underground labels. Taken en masse this stuff is brilliant, inept, confusing and funny as hell.” – daniel spencer, foxy digitalis
rhcd36 tirath singh nirmala ‘growing into the wind’ cd-r
“An excellent collection of electro-acoustic drones, eye-lolling bell tones and automatic musics in the vein of Neil Campbell/Richard Youngs/Matthew Bower/Vibracathedral Orchestra et al.” – david keenan, volcanic tongue
“Streams of electronic / casio light converge like thousands of beams of sunlight alongside massed hand percussion shake and clatter and frenetically fluttering flutes. A midway spot between Moondog and the jungle ecstasies of some of the recent Skaters’ extracurricular projects.” – gayle brogan, melody bar
posted by jon at 7:25 PM
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